KRObot

MadMen Season 5 - Week 12

Let me do you a favor and take it out, but it’s not your tooth that’s rotten. -Adam Whitman’s Ghost   “The Phantom,” Season Five’s brilliant finale, hung a lantern on several aspects of season five that make it different from previous seasons. I almost noted last week that we’d gone the entire season without a notable flashback or dream sequence, and this week Don started seeing the spectre of his suicided half brother Adam Whitman, obviously brought about by the trauma of Lane Pryce’s suicide last week. Don’s flashbacks and visions were a major touchstone of seasons 1-4, so (more)

MadMen Season 5 - Week 11

“I feel a bit lightheaded.” -Lane Pryce “That’s relief. I’ve started over a lot, Lane. This is the worst part.” -Don Draper   So it looks as though the producers and writers of MadMen have found a seasonal pattern on which they can rely. Tragedy is heavily foreshadowed in the last few episodes, then revealed in the penultimate episode, so it can be dealt with in the finale. In season four, the tragedy was SCDP's loss of Lucky Strike, their largest client. This week, after the idea of suicide had been peeking in from the wings all season,  Lane Pryce, (more)

MadMen Season 5 - Week 10

      What? We're all suddenly interested in each other's lives? – Margaret ‘Peggy’ Olson       Somewhere between December 1966 and mid-January 1967, the Men of MadMen appear to have gone truly mad.  This week, in a move rife with tragic implications, in order to land Jaguar, the partners of SCDP prostituted their longtime associate and friend Joan Hollaway-Harris. I see no softer way of putting it while telling the truth. To hear them tell it, it’s the guys from car companies who’re the real monsters, but there’s more than a tinge of denial in that argument. (more)

MadMen Season 5 - Week 9

  There's a Lakshmi here to see you. She's got a whole story. – Meredith   "Christmas Waltz", like other Christmas episodes of MadMen, was a transitional story, bringing closure to some story arcs, e.g. How Don Got His Groove Back and Whatever Happened to Baby Kinsey, developed a couple of others, Roger and Joan, Mohawk Airlines, and thrust an old and nearly abandoned story back into the limelight, namely Lane's money problems, which were just hinted at in the first couple of episodes, then left ignored for several weeks only to come back as a central thread in this (more)

MadMen Season 5 - Week 8

‘Look on my works, ye mighty and despair.’ -Michael Ginsberg You should read the rest of that poem, ya boob. -Stan Rizzo   The subject of Ayn Rand has come up before on MadMen. Bert Cooper once remarked that he wanted to introduce her to Don, and thought she would love him. She reappeared in in the margins of this week's episode, "Dark Shadows," as the story presented myriad examples of UN-enlightened self interest.  Confrontations were the mode of the day; many of my notes take the form of "Betty v Megan," “Roger v Peggy,” or "Ginso v Don" and (more)

MadMen Season 5 - Week 7

Why don't we have the girls take her to lunch? I mean, she's not disappearing, is she?  -Joan Holloway   "Lady Lazarus," this week's episode, draws its title from a Sylvia Plath poem from the early 60s of the same name, which includes these lines: "I am a smiling woman./I am only 30./And like the cat I have 9 times to die." and also these: "Dying/ is an art, like everything else./ I do it exceptionally well."   Both of these excerpts from Ms. Plath make me think in this context of Megan Draper, who said goodbye this week, at (more)

MadMen Season 5 - Week 6

Who knows why people in history did good things? For all we know, Jesus was trying to get the Loaves and Fishes account. – Roger Sterling   Though it had serious undertones throughout, "At The Codfish Ball," played as one of MadMen's most comic episodes to date. The kind of subtle jokes that tend to pop up once an episode were scattered throughout the story, and new characters and some long lost returning characters lent the proceedings an air of near farce. MadMen would never stoop to straight farce, so this week may be the closest they'll ever get. Roger (more)

MadMen Season 5 - Week 5

"Everyone has somewhere to go today." -Bert Cooper My initial reaction to this episode was not good. After 4 years of traditional linear storytelling, with some important flashbacks and dream sequences, all of a sudden and seemingly for no reason we have this triptych of tales told in a disjointed, 1990's, Pulp Fiction fashion. My first thought was that MadMen was violating its own well-established rules. The device of fracturing the timeline served to make some information ambiguous on first viewing, and create hierarchies of shared or unshared knowledge amongst characters and audience. E.g.: When Don calls Peggy at the (more)

MadMen Season 5 - Week 4

"Drip…Drip…Drip…Drip…Drip…Drip…Drip." -Pete and Trudy Campbell's Kitchen Sink   After 4 hours of carefully setting up themes, parallels, contrasts and hierarchies for the season, this week we finally wrapped up the exposition and began exploring these themes in earnest. We're in the middle of the season now, and "Signal 30" was a classic mid-season stand alone episode, with a great deal happening on several levels. Before we get to the story, and by way of review, here are a couple things I said in previous weeks, followed by relevant quotes from this week's episode (call it proof of my MadMen bona (more)

MadMen Season 5 - Week 3

"In my heart, I'm on the verge of throwing you in front of a cab. So however proud of yourself you're feeling right now, just know that everything I'm saying has 'or else,' after it." – Don Draper   A brief MadMen anecdote: Rewatching this week's episode with Mrs. KRObot, we come to the scene where Don opens the SCDP kitchenette cupboard and it contains LIFE cereal. "LIFE!" Mrs. KRObot says, because it's the only cereal I eat. I said back to her: "They represent LIFE." This made her laugh, because she thought I was making some grand artistic reading, (more)

© 2011 40oz. Robot Suffusion WordPress theme by Sayontan Sinha